Attractions of Lviv region

The wooden Church of the Beheading of Saint John the Baptist in Horodok is a sample of Galician folk architecture, one of the oldest Orthodox churches in Galicia.

Saint John's Church was founded in 1403 in the Cherlyanskyi suburb near the town of Horodok. It burned twice in the 17th and 18th centuries. It was rebuilt in its current form in 1755.

The wall painting was made by the artist Fedir Shcherbokoskyi in 1861. A small stone chapel of the Beheading of the Head of John the Baptist is attached to the church. In 1863, a three-tiered stone bell tower was built, which became a symbol of the city.

In Soviet times, the church was inactive, but in 1980 a complete restoration was carried out, which saved it from destruction.

The Church of John the Baptist in Horodok has the status of an architectural monument of national significance. Today it is an active church of the Orthodox Church of Ukraine.

The active Lviv synagogue "Beis Aharon ve-Israel" (translated from Hebrew - "House of Aaron and Israel") is located near the railway station.

The building, built in 1897, originally belonged to Moses Grifeld, a member of the Tsori Gilod Jewish Society.

In 1923-1925, according to the project of the architect Albert Kornbluth, the building was rebuilt as a synagogue. The two halls of the prayer house were designed for 384 seats. The central lamp of the main hall is decorated with a stained glass window in the form of a Star of David. The walls were painted by the artist Maximilian Kugel.

During the Second World War, the building was not damaged - it housed a warehouse.

Since 1989, the service has been resumed. The restoration was carried out in 2007. In the interior of the "Beis Aharon ve-Israel" synagogue, a polychrome painting has been preserved. The synagogue has a kosher kitchen and a mikvah.

The ensemble of the Benedictine monastery in Lviv - the church and the monastery building - was built with the participation of the architect Pavlo Rymlyanin. It has a pronounced defensive character.

The Church of All Saints is a small stone building, rectangular in plan. Adjacent to the south-eastern part is a two-story building of cells, which has preserved techniques and elements of Renaissance architecture. The complex is surrounded by walls with baroque gates of the 17th century.

Today it is an active Holy Intercession Monastery of the Sisters of the Studio Statute.

The monastery of the Bernardine order in Lviv with the church of Saint Andrew the First-Called in the 17th century was a separate fortification unit outside the city.

It was surrounded by a moat, a rampart and a defensive wall, which is partially preserved, with a tower of the Hlynyansky Gate overlooking the Customs Square. Powerful monastery fortifications were connected with a ring of city walls.

The Church of Saint Andrew was built in the years 1600-1630 according to the project of architects Bernard Avelides and Pavlo Rymlyanin in the Renaissance style. The lush interior is made in the Baroque style, there are many wooden altars of the 18th century. The decorative column in front of the facade was installed in 1736 in honor of Saint John of Dukla, the patron saint of the Bernardines.

The premises of the monastery now belong to the Central State Archives of Lviv, and the church of Andrew the First-Called was handed over to the Ukrainian Greek Catholic Church.

One of the most interesting examples of Lviv Renaissance architecture in the ensemble of Rynok Square is the Lorentsovych house, better known as the "Black House" (Chorna Kamyanytsya).

Built in 1577 by architect Petro Krasovskyi. Pharmacist Yan Lorentsovych opened one of the first pharmacies in Lviv here. During the XVI-XIX centuries, the house changed owners many times, as well as completed and rebuilt. Initially, the building was not black, but under the influence of precipitation, the sandstone masonry was greatly darkened, and now it is specially painted black.

Back in 1926, the city bought the "Black House" from the last owner and opened the Museum of the History of Lviv, which is now a department of the Lviv Historical Museum. The almost 800-year history of the city is represented on three floors by authentic objects of XIV-XX centuries: symbolic keys to the city, seals of the magistrate, inaugural chains of the president and mayor, benches from the conference hall, portraits of city leaders, coats of arms of Lviv in different historical periods. You can see a model of princely Lviv of the XIII-XIV centuries and a model of the Renaissance town hall.

In the courtyard and the first floor there is a Lapidarium - an exposition of stone monuments of Lviv: carved from stone architectural and sculptural fragments, parts of old monuments, epitaphs, etc. In total, about 50 samples of stone sculpture from ancient, mostly non-existent, buildings in Lviv.

Bohdan Khmelnytskyi Central Park of Culture and Rest is located in the central part of Lviv, on the slope of the hill between Stryiska, Heroiv Maidanu, Vitovskoho and Zarytskyh streets. A recreation and entertainment zone existed here as early as the 19th century.

The modern park was laid out in 1951 and arranged according to the Soviet traditions of creating typical parks of culture and rest for working people. From those times, the central avenue with a length of more than 800 meters, the colonnade of the central entrance and the premises of the "Druzhba" cinema have been preserved. In 1970, the central entrance was decorated with fountains.

Since 1984, the Park of Culture has the status of a monument of garden and park art of local importance. There is a children's entertainment zone "Zhu-Zhu Park" and a park of moving dinosaur figures on the territory.

Street cafes and restaurants are open. Various festivals and fairs are held regularly.

The Boryslav History and Local Lore Museum was founded in 1987 on the initiative of the local local historian Mykola Kryzhanovsky.

It is located in the building of the former department of the NKVD, where victims of repression were shot during the establishment of Soviet power in the region.

The museum's funds include more than 5,000 exhibits. Minerals, flora and fauna of Prykarpattya are presented in the nature department.

The most interesting exhibits of the historical department: fragments of an ancient Rus bracelet and a silver hryvnia, a wooden grain barrel made of solid wood, a fire pump of the end of the 19th century, tools and personal belongings of oil miners, a painting by the German artist Romuald Volkel "Old Boryslav" (1918).

Paintings by modern artists are exhibited.

The monastery of the Brigids sisters was founded in Sambir in 1621 by the Polish magnate Mykola Danylovych from Zhuriv.

On the hill at the intersection of today's Ivana Franko and Stepana Bandery streets, he erected a brick and stone monastery, a church, and farm buildings. The complex was surrounded by walls and moats, had a defensive tower, and therefore it was included in the defense system of the city. The monastery complex is built in the form of a horseshoe - the southern shoulder forms a church, and the western and northern - monastery premises.

In 1782, the Austrian authorities liquidated the Brigids monastery, military warehouses and stores were placed in its premises. Since 1946, a sewing factory has been located in the monastery buildings, and a military hospital has been located in the pompous building of the treasury, which was added to them in 1905.

The Austrian fort in Briukhovychi was built in 1912 on Zyavlenska Hora, at the foot of which passes the road to Lviv.

On the western edge of the mountain there are 4 covered brick galleries with a reinforced concrete floor. Two of them are straight, and two are curved in a quarter circle. Rifle galleries have wide loopholes connected by trenches. At the top of the fort there is a gun shelter. From the east, the complex is protected by earth fortifications.

Fort "Zyavlenska Hora" in Briukhovychi did not take an active part in hostilities. The Russian army during the offensive bypassed the fort from the flanks, and the garrison left it. Later, the fortifications were used during the Ukrainian-Polish war of 1918-1919 and during the defense of Lviv in 1939.

A powerful citadel was built in Brody by Crown Hetman Stanislav Konetspolsky in 1630-1635 on the site of the old castle.

The complex with a defensive rampart and a system of casemates in the shape of an octagon was designed by Hiyom de Boplan based on the bastions of Dutch and Italian fortresses. The construction work was supervised by the Italian architect Andrea del Akva. In 1648, the fortress withstood a siege by the troops of Bohdan Khmelnytskyi.

In the middle of the 18th century, Stanislav Potoski reconstructed the fortress, which had lost its strategic importance, into his own residence. The Rococo-style Potoski Palace has been preserved in the courtyard.

Until recently, Brody Castle was in the hands of the military, as a result of which it fell into serious disrepair. Now the palace houses a boarding school, tours of the castle are conducted by employees of the Brody Museum of Local History.

The Brody Gymnasium was founded in 1865. The construction of the current building in the style of classicism began in 1881, and the first classes were held in 1883.

During both world wars, the building was used as a barracks and a hospital. In the post-war period, it was returned to its main purpose - secondary school No. 1 was opened here.

In 1997, a gymnasium was revived on the basis of the school, which was named after a former graduate, the outstanding Ukrainian artist Ivan Trush. The classic of Austrian literature Yozef Rot, General of the UGA Myron Tarnavskyi also studied here.

The museum of the Brody Grammar School operates in five sections: "Austrian Grammar School named after Archduke Rudolf", "Polish Grammar School named after Yuzef Kozhenevsky", "Secondary School No. 1", "Revived Grammar School named after Ivan Trush", "Faces in the History of the Grammar School".

The villa of Burgomaster Reymond Yarosh, who ruled Drohobych from 1909 until the collapse of the Austro-Hungarian Empire, is the decoration of Tarasa Shevchenko Street (former Panska Street).

A two-story house in the style of Viennese secession, richly decorated with stucco, built in the late 19th and early 20th centuries by entrepreneurs Shpitsman , local oil magnates. When the Shpitsman left Drohobych, located on the most prestigious street of the city, on the eve of the First World War, the villa was bought from them by burgomaster Reymond Yarosh.

In the period between the First and Second World Wars, Yarosh not only contributed to the strengthening of the economy of Drohobych, but also initiated the rapid development of the resort of Truskavets.

Until recently, Yarosh's villa was used as a city palace for schoolchildren. Currently, the dean's office and classrooms of the Faculty of Biology of the DrohobychState Pedagogical University are located here.

The Buvet "Hrybok" is the main source of "Morshynska" mineral water, which has become a hallmark of the resort due to its characteristic architecture.

Depicted on the coat of arms of the city and on the label of bottled mineral water "Morshynska".

The Buvet "Hrybok" was opened in 1935 in the central park of Morshyn, it is designed to serve 6 thousand people. Preparation and heating of therapeutic concentrations of mineral waters is carried out in a special department of the pump room under the constant control of the hydrochemical laboratory.

Nearby "from the hands of the mermaid" flows weakly mineralized water of spring No. 4 - "The Mother of God". Nearby is a large closed pavilion of the resort-wide mineral water pumping station, as well as the resort-wide balneo-gyrazeli.

Throughout the park there are many sculptures on an antique theme.

The monastery of the Catholic order of Capuchins opposite the Olesko castle was built at the expense of Volyn Voivode Severyn Rzhevuskyi.

The project was developed by Podillya architect Martyn Dobravskyi. Construction was completed in 1739. The monastery complex consisted of the church of Saint Anthony, built in the Baroque style, and a square cell building with an inner courtyard.

In 1939, the monastery was closed. After 1945, an agricultural school was located here. Currently, the complex belongs to the Lviv National Art Gallery named after Borys Voznytskyi and is used as a storage facility, access is closed.

The private museum of carriages in Lviv operates on the basis of the horse club "Carriage Yard", where Tori horses are bred.

The exposition presents 14 carriages of different types: landau, fiakr, phaeton, tarantas, visavi, etc. "Carriage Yard" also offers hippotherapy, horse riding lessons, horse tourism and a carriage tour through the streets of old Lviv.