Attractions of Lviv region

The Art Museum, dedicated to the work of the outstanding master of folk and applied arts Mykhaylo Bilas, created in Truskavets in 1992 during the artist's lifetime.

The museum occupies the premises of an elegant wooden villa "Hoplyana" (1928), made in the Polish folk style of Zakopane. It used to be the summer residence of the resort's mayor Raimund Yarosh.

Mykhaylo Bilas became famous as a master of textile plastics, figurative toys, the author of unsurpassed plot panels and applications. The museum's exposition includes unique carpets, tapestries, bedspreads, Art Nouveau towels with bright folklore motifs created in a single copy.

The National Academic Opera and Ballet Theater named after Solomiya Krushelnytska in Lviv is considered one of the most beautiful theaters in Europe, along with the Odesa and Vienna opera houses.

The facade of the building is decorated with sculptural figures "Life" and "Art", statues "Glory", "Victory", "Love". The theater was designed in such a way that the lobby, corridors and stairs were illuminated with natural light as much as possible. One of the most beautiful interiors is a mirrored hall decorated with paintings depicting the symbolic change of seasons. A large chandelier in the hall made of precious materials is decorated with allegorical figures.

On the second floor, the personal apartments of Emperor Frants Yosyf with a bathroom and access to the imperial (now presidential) box have been preserved.

The aristocratic coffee shop "Komaryk" works.

Excursions are conducted.

The National Memorial Museum of Victims of Occupation Regimes "Prison at Lontskoho" was opened in Lviv in a building that for 85 years was occupied by the punitive bodies of various authorities.

The complex at the intersection of modern Bandery and Kopernika streets was built at the end of the 19th century for the Austrian gendarmerie. Then the prisons of the Polish, German and Soviet authorities were located in the building. In 1941, the largest number of political prisoners in Western Ukraine was destroyed here - 1,645. During the German occupation, the Gestapo prison was housed in the building. After the Second World War, it was used by the Soviet punitive and repressive authorities to hold captured rebels. After the declaration of Ukraine's independence, the detention center of the SBU was located here.

The museum complex "Prison at Lontskoho" was opened by the Liberation Movement Research Center and the Security Service of Ukraine. An authentic prison setting has been recreated. The complex includes a solitary confinement cell, a death row cell, and an investigator's office. Declassified "shooting lists" are presented, as well as the archive file of one of the most famous prisoners - Father Mykola Khmilevskyi, head of the underground Greek Catholic Church and member of the Ukrainian Main Liberation Council.

Excursions are conducted by appointment.

The Basilian Monastery of the Nativity of Christ with the rich Baroque Church of the Sacred Heart of Christ was built in Zhovkva in 1612 on the site of the wooden Basilian Church.

The first abbot was Metropolitan Dosytheus, buried in the crypt under the church. Initially, the complex was built in the Renaissance style and had a defensive character. The reconstruction carried out in 1905 completely changed its appearance. The Renaissance carved white stone southern portal has been preserved since the 17th century.

The wonderful iconostasis of the work of the famous master Ivan Rutkovich is now kept in the National Museum named after Andrey Sheptytskyi in Lviv. Modernist wall paintings of 1911-1939 have been preserved in the interior. the works of Yulian Butsmanyuk, which, in particular, depict figures of the Ukrainian People's Republic of Ukraine and the West Ukrainian People's Republic. The portrait of Metropolitan Andrey Sheptytskyi can be guessed in the image of Savaof.

The relics of Saint Parthenius are kept in the Church of the Heart of Christ.

The Greek Catholic Church of the Nativity of the Holy Virgin in Sambir was built in 1728 at the expense of the Komarnytsky magnates on the site of the first wooden Ukrainian church, which the Polish authorities allowed to be built inside the city in 1558.

The paintings were done by the icon painter Martyn Yablonskyi. The miraculous Sambir icon of the Mother of God, which is considered one of the oldest in Ukraine (crowned in 1928 by Pope Pius XI), was transferred from the old one to the new church. After the Second World War, the icon was considered lost, but in 1996 it was found, restored and returned to the church.

Tourists are more attracted by the fact that the relics of Saint Valentine - the patron saint of lovers - are kept in the Church of the Nativity of the Holy Virgin. In 1759, the Holy Relics, which previously rested in the cemetery of Saint Priscilla in Rome, were transferred by the Vatican to Sambir for safekeeping. The authenticity of the relic is confirmed by a document of the Pope. On Valentine's Day and the Epiphany, relics are carried around the temple and displayed on a tetrapod for a week for general veneration.

Olesko Castle, which is part of the "Golden Horseshoe of Lviv Region", is one of the most famous castles in Ukraine. It is considered the only surviving stone fortress from the times of Ancient Rus' in Ukraine.

The medieval castle rises above the town of Olesko on a 50-meter hill, it is clearly visible from the road. Built in the XIII-XIV centuries. Galician-Volyn princes. The castle was first mentioned in 1327, when it became the property of Prince Yuriy II Boleslav. In the Middle Ages, the fortress was repeatedly attacked by Tatars, destroyed and rebuilt.

In the XVII century. Olesko Castle was owned by the magnates Danylovychs, who rebuilt it in its current form. In 1629 the grandson of Yan Danylovych, the future King of Poland Yan III Sobeskyi, was born here. Mykhaylo Khmil, Bohdan Khmelnytsky's father, served here.

The restoration of the castle after a strong earthquake in 1882 was carried out by the Polish Society for the Guardianship of the Castle in Olesko.

Since the 1970s, a branch of the Lviv National Art Gallery has been housed in Olesko Castle. In particular, the exhibition presents works by world-famous Ukrainian sculptor Ivan Pinzel.

The pearl of the collection is a huge (7.65 m x 7.3 m) battle canvas by Martino Altomonte "Battle of Vienna".

On the slopes of the hill is an Italian park with ancient and modern sculptures.

The magnificent monastic complex of the origin of the tree of the Cross of God (the former Dominican monastery) in the magnificent baroque style rises above Rozhenytsia Mountain on the outskirts of the village of Pidkamin.

The current architectural ensemble was formed in the 17th-18th centuries, however, according to one of the versions, the monastery was founded by Kyiv-Pechers monks back in the 13th century. The first mention of the wooden monastery of the Dominican Catholic order dates back to 1464, but it was soon burned down by the Tatars.

In 1612, the architect Pavlo Hizhitskyi and the engineer Hristian Dahlke began the construction of a new defensive monastery complex, which lasted for more than 80 years. The complex is dominated by the Church of the Ascension with a tall tower with a baroque spire, which can be seen from Pochaiv. The cells are adjacent to it, the bell tower, the chapel of Saint John Nepomuk (now the church of the New Martyr Nicholas) is located nearby. The complex is surrounded by walls with towers and bastions. In the center of the yard is a Corinthian column with the figure of the Mother of God (1719), and there is a 100-meter well on the territory. The monastery had a complex title - the Assumption of the Blessed Virgin Mary, the Cross of the God, the Apostles Peter and Paul and all the Saints. The main shrine was the miraculous icon of Our Lady of the Snows, which is now in Wroclaw.

In 1944, the monastery was closed by the Soviet authorities, a concentration camp for Ukrainian clergy was organized on the territory, where, in particular, Mykola Tsehelskyi, proclaimed a blessed martyr of the Ukrainian Greek Catholic Church, was held. Later, a closed psychoneurological boarding school was established within the monastery walls, and the church was turned into a stable and even later into a garage. Grain was stored in one chapel, mineral fertilizers in another, and prison guard dogs were fed in another.

In 1997, the revival began with the efforts of a small brotherhood of Greek-Catholic monks of the Studite statute, and restoration is underway. In October 2022, the monastery bell tower restored with the funds of the European Union was consecrated.

The three-storey townhouse at the corner of Rynok Square and Stavropihiyska Street is one of the oldest buildings in the central part of Lviv.

Built in the style of the late Renaissance in 1593. It was in this house that the wealthy Florentine merchant Roberto Bandinelli in 1629 opened the first post office in Lviv. Later the owners were local Armenians, Austrians and Poles.

Now "Palazzo Bandinelli" is a department of the Lviv Historical Museum, which recreates the residential interiors typical of the life of wealthy Lviv residents of the XVII-XVIII centuries.

For the attention of visitors - a hall for ceremonial receptions, and also enfilades of rooms: a drawing room, a gallery of a front portrait, an office, a dining room, etc. The rooms exhibit samples of handmade furniture, porcelain and earthenware from Europe, China and Japan, a collection of silverware, paintings.

The decoration of the collection is woven wallpaper, made to order by King Louis XVI of France. Of great interest is the interior of the kitchen, where samples of antique metal utensils are collected.

Earlier, the Palazzo Bandinelli housed the Royal Mail Museum, which told about the development of the postal service in Galicia, the construction of postal tracts, the opening of post offices with hotels, the emergence of stagecoaches and postmen.

The oldest pharmacy in Lviv has been operating on Rynok Square for almost 300 years.

The pharmacy in the townhouse "Under the Black Eagle" was opened in 1735 by a military pharmacist Frants Vilhelm Natorp, as evidenced by a wrought-iron sign with the emblem of medicine above the entrance. On both sides of the neat portal there are relief portraits of the god of healing Aesculapius and his daughter - the goddess of health Hygiene.

The old interior of the trade hall, paintings by Viennese masters on the ceiling, antique scales and cash registers have been preserved.

In 1966, the Museum of the History of Pharmacy opened here, with an exposition of more than 3,000 exhibits. In the exhibition halls you can see a variety of pharmaceutical devices, reconstruction of the pharmacist's home, an underground alchemical laboratory.

The courtyard recreates the view of the house of a rich burgher of the XVI-XVII centuries.

Pharmacy "Under the Black Eagle" continues to serve people today, becoming a state pharmacy № 15. In addition to drugs, you can buy the world-famous "Iron Wine" (aqueous solution of iron sugar used in iron deficiency anemia) and the popular Lviv tincture "Vihor", which is considered a means of increasing potency. Memorable souvenirs are also sold here.

Pidhirtsi Castle is the most beautiful castle of the "Golden Horseshoe of Lviv Region", a vivid example of the transition from defensive to palatial architecture of noble residences of the Renaissance era.

It was built according to the project of the Italian architect Andrea del Aqua and the military engineer Guillaume de Beauplan (author of the famous "Description of Ukraine" and compiler of the "General Map of Ukraine") for the Crown Hetman Stanisław Koniecpolski on the northern outskirts of the ancient Rus Plisnesko Hillfort.

It was one of the most beautiful palaces on the territory of Eastern Europe, embodying the fashionable type of aristocratic residence at the time, which combined luxurious housing with bastion fortifications (the so-called palazzo in fortezza).

After the War of Liberation, the Sobieskis, who owned the castle since 1648, restored the palace and decorated the interiors. Grand balls were held here with the participation of European monarchs. The Russian Tsar Peter I, who visited here in 1711, took several sculptures by Italian masters to St. Petersburg and soon began the construction of the Petropalace. In 1728-1779, the new owner of Pidhirtsi, Wacław Rzewuski, carried out a large-scale reconstruction of the castle, began collecting a collection of sculptures and paintings, and also organized a private theater. At that time, Pidhirtsi became famous as the "Galician Versailles".

The last owners - princes Sanguszko - turned their residence into a museum, but at the beginning of the First World War they had to save the collection. In 1939, Roman Sanguszko took a rich collection of works of art to Brazil and created the Sanguszko Foundation, which is managed by his descendants.

During Soviet times, the palace was looted, the interiors were destroyed by fire, and a tuberculosis sanatorium was placed in the premises. In the Soviet TV series "D'Artagnan and the Three Musketeers", Pidhirtsi Castle played the role of the city hall, where a ball was held for the city elders, where a brave Gascon delivered the queen's diamond pendants (many believe that it was the Louvre or Versailles).

Now the Pidhirtsi Castle Museum-Reserve is a branch of the Lviv National Art Gallery. Since 1997, restoration and creation of a museum has been underway. A courtyard with a well, a terrace on the bastions, an exhibition of old photographs in the casemates, as well as the dungeon of the castle with the "White Lady" exhibition, which is dedicated to the legend of the ghost of the Pidhirtsi castle, are open to visitors.

The most luxurious palace in Lviv was created for the influential Polish magnates Potocki according to the project of the union of Lviv architects Lyudvih Baldvin-Ramult, Yuliush Tsybulsky, Petro Harasymovych and Leonard Markoni.

The customer was Count Alfred II Yuzef Potocki, his son Roman Potocki was completing the construction. The historicist-style palace is modeled on the entre cour et jardin residences of King Louis XIV of the Baroque Classicist era, when clear planning combined with rich exterior design.

Interiors in the style of King Louis XVI have been preserved. In particular, on the ground floor there are ceremonial halls for the reception of guests, in the design of which stucco, gilding, colored marble, painting are widely used. In Soviet times, the Palace of Marriages was located here.

In 2007, the Potocki Palace opened the Museum of European Art of the XIV-XVIII centuries - a department of the Lviv National Art Gallery named after Borys Voznytskyi. On the second floor there is one of the richest collections of European art in Ukraine, including "Catching Corals and Pearls" by Jacopo Zucchi, "Payment" by Georges de La Tour, "Portrait of a Young Patrician" by Sofonisba Anguissola, "Allegory of Divine Mercy" by an unknown German artist, "The Visit of Mary Elizabeth" by Jan van Scorel, sketches of monumental paintings by Paul Troger, Joseph Winterhalter, Franz Anton Maulbertsch and others.

The Park of Castles and Defense Structures of Ancient Ukraine has been opened in the courtyard of the Potocki Palace. Architect Ihor Kachor created 1:50 scale models of 18 fortifications that exist now or existed earlier on the historical territory of Ukraine-Russia. Entrance to the territory is free.

The architectural ensemble of Lviv's main shopping square began to take shape in the 14th century in the style of European medieval cities (before that, the Stariy Rynok (Old Market) was the shopping center).

Market Square (Rynok square) is surrounded on four sides by 44 houses (apartments), different in time of construction and style (Renaissance, Baroque, Empire). Architects Petro Krasovskyi, Martyn Hradovskyi, Petro Barbon, Pavlo Rimlyanin, Bernard Meretyn, Sebastian Fesinger and others worked on the building.

Elements of Gothic architecture of the XV-XVI centuries have been preserved in the basements and first floors of many buildings. They are home to museums, shops and popular cafes. The Lviv Historical Museum occupies the most interesting buildings ("Black Stone House", "Royal Stone House" and others).

The Lviv City Hall (1381-1827) in the center of the square is a symbol of the city. The building is used for its intended purpose - it houses the city government. The Lviv Information and Tourist Center is located on the first floor of City Hall, providing tourists with information, maps and guidebooks.

There are always many tourists on Rynok Square in Lviv, especially on the days of numerous holidays and festivals.

The Roman Catholic Church of Saint Bartholomew was founded in Drohobych in 1392 by the Polish king Vladyslav II Yahaylo, but it was consecrated only in 1511.

The massive Gothic building of the church was built on the basis of the princely palace of the Galicia-Volyn principality. A powerful defense tower located nearby, which was part of the city fortifications on Castle Hill, began to serve as the bell of the church. Over the centuries, the building was rebuilt several times.

In Soviet times, the church premises were used as a warehouse. In 1989, the temple was returned to the Roman Catholic community of the city.

Gothic white stone portals, wall paintings and stained-glass windows of the 19th century based on drawings by famous artists Yan Mateyko, Stanislav Vyspyansky and Yuzef Mehoffer have been preserved in the interiors.

The walls are reinforced with buttresses. On the northern wall of the church there are unusual white stone reliefs - three windows depicting a palm, foot and head in a papal tiara. Some sources call them symbols of Catholic rule, others consider these symbols to be pagan.

The marble decoration of the door with two swords reminds of the inhabitants of the city who died in the Battle of Grunwald.

The Church of Saint Archangel Michael in Lviv was built at one time as a Catholic church of the monastery of the Discalced Carmelites, which was first mentioned in 1634, and has a long history of construction.

It was built, perhaps, according to the project of the architect Ivan Pokorovych, the son of the Lviv architect of Italian origin, Adam de Liarto. The towers of the main facade were designed by the architect Alois Vondrashka in 1835-1839, and completed during the restoration in 1906 by the architect Vladyslav Halytskyi.

The church was painted in 1731-1732 by the Italian artist Giuseppe Carlo Pedretti together with his Lviv student and assistant Benedykt Mazurkevych. The main altar is made of black marble (XVII century). Its authorship is attributed to the sculptor Oleksandr Prokhenkovych.

As one of the defense nodes of Lviv, the Carmelite church was repeatedly attacked, and in 1748 it even served as the arena of the so-called "monachomachy" - a struggle between Carmelite monks and Capuchins.

In 1991, the church and monastery were handed over to the monks of the Studio Statute of the Ukrainian Greek-Catholic Church (an order founded in the 1920s by Metropolitan Andrey Sheptytskyi) and re-consecrated in honor of Saint Archangel Michael, the patron saint of Ukraine-Rus and the guardian of the Holy Sepulchre.

The unique wooden church of Saint Archangel Michael in Kuty was preserved thanks to the students of the University of Banking of the National Bank of Ukraine, who managed to raise funds for its complete reconstruction in 2008. Until that time, the temple was in a deplorable condition.

This masterpiece of sacred architecture was created by the carpenter Hryhoriy Hebych from Sasiv in 1697. The temple is three-log, measuring 13.3 by 6.1 meters. In 1865, an arched gallery was added around the perimeter, which gave the Saint Michael's Church a romantic look.

Today, the Church of Archangel Michael has acquired its original appearance. The funds collected by the students were spent on covering the roof of the church, installing a fire protection system and alarm equipment. The following year, a small area around the temple was paved with cobblestones. Also, the old iconostasis of the 17th century, which was kept in the Olesko castle until now, was returned to the church. The solemn opening of the restored temple took place on September 26, 2010.